To define the zeitgeist, we must ask the following questions:
What do we share? What makes us think? What is cool? What makes us laugh? What makes us cry? What gives us a sense of belonging to society?
Sesame Street has always maintained a somewhat remarkable grasp on the pulse of the American population. I watched the children’s show faithfully when I was a youngster in the late 1980s. Sometimes I’ll still get an odd, unfamiliar tune stuck in my head that I will later come to recognize as an original song from the show.
My all-time favorite Muppet music videos included “The Word is No,” “Monster in the Mirror,” and “New Way to Walk.” Ah, the memories… And while the celebrity cameos went right over my head back when walking was considered a personal accomplishment, these videos were full of them. “A New Way to Walk” featured Maya Angelou, Garth Brooks, John Goodman, Kevin Kline, Cheech Marin, Rosie O'Donnell, and Marisa Tomei, among others. I mostly just liked the pigs with their cute 80s hairdos. And “Monster in the Mirror” features The Simpsons. You really can’t get any more zeitgeist-y than that.
I only vaguely remember some of the famous folks’ appearances on the show, but my mother remembers them all. She loved Sesame Street as much as (or perhaps more than) I did, because the show has a layer of depth and brilliance that only adults can fully comprehend as they recognize poignant features of their own lives being echoed back to them through the mouths of bright yellow/green/pink/etc. stuffed creatures.
Now in its 41st season (it premiered on November 10, 1969, making it one of the longest-running TV shows of all time), Sesame Street is on a roll; not only is it ruling the children’s entertainment empire, but the ingenious, hardworking writers have managed to make the show a master of conquering the zeitgeist. This season’s guests will include Colin Farrell, Jason Bateman, Julie Bowen, Chris O'Donnell, Wanda Sykes, and Kara DioGuardi. Katy Perry was also slated to appear, with a music video based her hit song “Hot N Cold” (Can you guess what the theme of the video was? Hint: Elmo loves opposites), but of course she couldn’t keep her impressive chest size in check. Her video was promptly banned from airing by furious, child-innocence-protecting parents, but not until after the video went viral. When Sesame Street is being featured on PerezHilton.com, you know it’s on to something.
None of the show’s primary viewers will care about these random guest appearances, but their mothers will get a nice chuckle when they see the Oprah Winfrey-voiced spoof about “The O Show.” All other active zeitgeist participants can appreciate Grover’s take on the recent series of hilarious Old Spice ads (“Smell Like a Monster”), the Muppet-filled True Blood spoof (the Stephen Moyer puppet sure does need his “True Mud”), as well as Sesame Street’s take on The Closer (the puppets will explain how a case is closed… literally).
It’s remarkable that in an age when the Internet is been overrun by YouTube videos in much the same way that the bubonic plague conquered 1340s Europe, a show about fuzzy stuffed monsters living on a particularly sunny and friendly street aimed at entertaining the least intelligent viewer demographic still manages to make its mark, participating in the zeitgeist while simultaneously winking at it. Sesame Street is constantly reminding us “adults” how childlike we still really are by poking fun at what we claim to be our defining cultural icons.
(Today’s blog post brought to you by the letter A, the letter K, and the number 1.)
--Amy Kristen
While I will thank Damion "Khak Black" White for supplying my NSFW girl-on-girl quotient for the week, I have to admit that upon first viewing of his unofficial "I Kissed a Girl" remix, I was fairly impressed. The editing was decent and the cinematography itself was well done. there were definitely some discrepancies between the image quality of the jacked original video and the additions Black and his crew added (the additions weren't as pixilated), the initial effect was solid. And the girls were hot. And kissin'.
The trouble came upon a second viewing. Lets be honest: the remix itself blows. A pre-Kanye/Timbaland/Spank Rock/(hell, even Uffie) effort at leaving a recognizable calling card on an already hit song. This remix would have worked, albeit four years ago, before hip-hop did the inevitable and made babies with electroclash. We'd seen this plenty of times before with many a straight-to-your local-"hit music"-station effort. They're great for what they are, and the "Girl" remix is no different. Its great to see a guy you've seen before around Davidson doing big things. And its also great to see white women with nice asses kiss each other, but there's a time and a method for everything, and if Khak wanted to make a splash with this remix (other than a thumbs up from Perez Hilton, whom Lily Allen tore a second asshole a few weeks ago), then he should have brought the fire to match the visuals.
One of the quirks about the original song/video is that, while still being hot, it didn't show women tonguing each other down. On that level, the song poked at the sometimes acceptable homoeroticism between women, while not sliding to a Bang Bros. level portrayal of female sexuality. I suppose this remix video is a lot like Will Smith's Hancock, pretty to look at, with lots of potential, but at the end of the day, you just feel like something's missing.
Watch the video here. Make sure your girlfriend isn't around.
