Showing posts with label lady gaga. Show all posts
Showing posts with label lady gaga. Show all posts




I was not born an Art Star.
I was born a kid from DeSoto, Texas with very poor vision and a terrible speech impediment.
And I still have terrible vision and sometimes also have trouble pronouncing words.
I am not a genius – not even creatively.
There are people who are better than I am at almost everything I do.
So basically I am not a picture perfect creative genius with a trust fund. 
Not that there is anything wrong with that – it just isn’t my life.

So who is an Art Star?

Jeff Koons
Lady Gaga

Lady Gaga Lil Monsters
Neal Cassady

Getting To Know Your Game:
Two Truths and a Lie

Things I have gotten away with:
1. Getting into Stanford University
2. Dating a real life princess
3. Being given a brand new BMW for a Spring Break trip
4. Getting to go to Panama and Mexico to make art
5. Being in an international exhibition at 19
6. Doing art ad campaign
7. Organizing an arts festival for a town in North Carolina
8. Becoming a fully licensed stock broker and financial planner
9. Getting my first millionaire financial advising client
10. Dating a former model/ Russian diplomat
11. Managing a music venue
12. Getting the first graphic artist to win a Pulitzer Prize to become a client
13. Dating one of the top visual artists in Texas under 35
14. Being a grant writer for a small town in Texas
15. Meeting Lebron James, Kevin Durant, Vince Young, Amare Stoudemire, Jamie Foxx
16. Having a conversation with Matisyahu
17. Having an intern
18. Teaching my first Brave Art workshop
19. Being allowed to teach another Brave Art workshop after my first Brave Art workshop
20. Redefining how much a poet gets paid in North Texas
21. Having wonderfully supportive and loving friends and family
1. Goals

Activity #1 – not what do you want, not what makes you happy, but what excites you?
What excites you can also be a good way to approach art making.
Example - the Arts Festival

2. Confidence
-Ideas
-Voice
-Eye contact
Activity #2 – Practice being uncomfortable – eye gazing for 3 minutes

3) Daring
Myth #1 You need to be “qualified.”
“An expert is a person who has made all the mistakes that can be made in a very narrow field.” – Niel Bohr Dannish (Physicist and Nobel Prize winner)

Debunk#1 You need to have relationships
How to be good at relationships – be genuine – be real – learn how to listen.

It is better to be lucky than to be talented (although best to be both.)
Rule #1 When trying to decide between doing something and not doing something – 99% of the time doing something is the right answer.

“Action may not always bring happiness but there is no happiness without action” – Benjamin Disraeli


Myth #2 : You should set “realistic” goals.
Debunk #2 It is easier to achieve unrealistic goals than realistic ones.
Thinking: "I will never in a million years get this job, get accepted to this school, go to this place, meet this person, go on a date with this girl – let me try to find something that is doable for me and be happy."
Less people are doing unrealistic things/ Unrealistic things give you energy.


4. The Internet
-Anonymous vs Transparent
-Everywhere vs Selective
-Personal Brand - get your name out there first

5. Maximize Strengths first, then worry about weaknesses.
-How I got into Stanford - one ability - one recommendation
-Ask for forgiveness - not permission

6. Ignorance is Bliss

7. Persistence
Story about when I Dated a Princess - she hated me for a month - we met in a church.


8. Tell a good story.

Activity #3
Personal story - elevator story - entertainment story
(Prize for best story)

9. Successful People do what unsuccessful people don't.



Art Star has been interviewing several artists leading up to the grand opening of the Green Bandana Project Friday July 30th at the Arts Apartments in Dallas' newly renovated arts district. Consider it an update to our Clicking Around With Music series

Art Star sits down with photographer Jen Shu and talks about making it as an artist, the Dallas art scene, Lady Gaga, sticky notes and more.

Art Star: What motivates you to be an artist?

Jen Shu: The world, the people, and the creation around me...it is like a sensory overload that I try to capture in one photo or project.

Art Star: Can you tell us a little bit about your creative process?

Jen Shu: My process usually starts internally with an idea or a spark of an image in my mind, and from there I'll either write it down or immediately start thinking of how to create it. For example, on a family photo shoot, sometimes I'll get an idea in my mind, and immediately begin to make it happen. Other times, with more complex projects - I stew for hours on one thing and watch it unfold.

AS: How do you think your art has evolved over the past year?

JS: I think I've begun to really create with more of a purpose in mind....to really bring to life the ideas & creativity that is within. AND I feel that I'm starting to narrow down what I'm really good at. I'm also continuing to make sure that my CLIENTS voices & visions are heard before my own. I've really been taking the time to listen and create more and more.

AS: What's your favorite camera to use?

JS: I have recently begun using the 5D....and LOVE IT. It gives me a creative range that I've not had before...and I've only had it a month! The images are so different than all my other cameras combined!

AS: So pink is sorta your signature color, how did that come about?


JS: It was funny! When the singer Pink first came out, I dug her look, but it was not time for me to "go there". My inspiration came from a friend of a friend who had her hair a gorgeous magenta. I had felt like I wanted to go with that color for a while, and after asking her how she did it? I jumped out and did it. It has become my "normal" color ever since. I did a lot of research on the color before doing it! :) :)

AS: Who do you think is (are) revolutionizing art?

JS: My FIRST inspiration was and always will be Blue Man Group. Their simplistic view on sensory overload led me to this path where my creativity began to flow. It reminds me to approach art with a child-like manner...and not take it too serious.

My 2nd and more current inspiration has been Lady Gaga. She is sensory overload on STEROIDS. She is a living, walking & breathing art piece to me. I have never been so opened to watching someone live their dream and make things happen on a regular basis, regardless if anyone understands it, SHE as an artist making it happen. (In so many ways!)

AS: I love Lady Gaga. What are your thoughts on the Dallas art scene?

JS: I think the Dallas art scene is something I am only just now exploring and getting to know. I know that from what I've seen so far, I would like to see MORE of what Dallas has to offer.

AS: Where do you stand with art as a career? Full time? Part time with a random side job? How have you been able to make it over the years? Advice for the starving artist?

JS: I was laid off from my full-time job in 2008 to become a photographer full-time. I am mostly able to do what I do with the support of my husband. To do what we do, you HAVE to be motivated, dedicated and willing to learn things you wouldn't normally learn! If you are a single (unmarried) artist - I say, if this is your calling - make it happen! Your lifestyle doesn't have to be extravagant to live your dream. If you are married or have a partner to fund you? All the better! I just encourage EVERYONE to follow their dream and do whatever it takes! It is the most fulfilling thing you will do here on earth. :) :)

AS: If you were a sticky note what would you be stuck to and what would it say?

JS: Ok if I were a sticky note....I would be stuck to God...and it would say..."gotcha". :) :)

AS:Is there anything else that you would like to tell our readers about your art or about you personally?

JS: My vision and my mission...is to inspire you, encourage you and help you to aspire to be all you can be. I attempt to express this in all the art forms that I flow in...and when I work with people. I truly am there to help you! When my budding art pieces come out in this next year, I actually hope to inspire even more than before so that what is in my heart WILL translate effectively to the eyes seeing them. You won't wanna miss it. :) :)

You can check out more of Jen Shu’s work here. And meet her in room 6050 at Green Bandana Project.

As a film buff and de facto cuter half of the Art Star film boys, I spend far too little time looking at music videos. With respect to Katelin's essay on Lady Gaga, I stopped paying attention somewhere between illicit nights watching BET Uncut and a confusing first impression of Tokio Hotel, which is a damn shame because some great things have been happening.


We've all been saturated with Gaga's "Bad Romance" inundated with Ok Go's "Here It Goes Again," and plenty of us saw Kanye's "Flashing Lights" (nsfw), but who remembers when he dropped "Paranoid" (one word: Rihanna), or when Mos slipped "Supermagic" beneath the aural doorjamb? For this reason, I've resolved to put some added purpose behind my Google searches, and will be on the lookout for new videos from now on. Sharing with you is sharing with myself, and who isn't down for a five minute sip of something sweet and avant garde?


As her stagename suggests, everyone from the music, fashion, and tabloid industries are GaGa for…well, GaGa. In the recent videos for Lady GaGa’s “Telephone” and Beyonce Knowles’ “Video Phone,” the starlets of the music world have combined forces, forming two of the most trendsetting music videos today. Paying homage to Quentin Tarantino’s iconic films Reservoir Dogs, Pulp Fiction and Kill Bill, GaGa and Knowles epitomize Tarantino sexuality as characterized by their well-dressed, over-sexed and badass edge—lest we forget the giant yellow “Pussy Wagon.”

See that girl? That's Ke$ha. Maybe you've heard her single:



It's probably more likely you've tried to avoid hearing her single. Fuck knows I have.

"TiK ToK," a pants-shittingly average pop song, has been in in heavy rotation here in central Texas. In terms of the creative talent involved, NPR - in a surprisingly blunt flaying - put it best: Ke$ha isn't an artist, she's Campbell's Chunky: over processed, derivative mush that only seems good because she reminds us of actually enjoyable musicians. I tried to come up with a term to describe just where Ke$ha fits on the pop-chart-totem-pole (Hot Tub Time Machine, yo?), when I had an epiphany: she could never be an icon, but she is the glue that holds them together. In other words, she's filler.

Ke$ha's around to keep the seat warm until a better female pop act comes along, in much the same way that Jojo (remember her?) was a momentary distraction until Kelly Clarkson (remember her, either?) hit her stride. Between Beyonce, Lady Gaga, and Katy Perry, the XX quota on the pop scale is pretty much full, especially since Beyonce and Gaga are flooding the markets (does it drive down the price of sexy?), having released "Sweet Dreams" (Beyonce), "Video Phone" (Beyonce/Gaga collaboration), "Telephone" (Gaga/Beyonce, there's a pattern forming), and "Bad Romance" (Gaga) in the span of mere weeks. The deluge, while entertaining, could create a problem: these singles are all coming from albums that've been available to the public for quite some time now. What happens if the target audience has reached its fill for the month? They'll just tune out the next time the Ebony and Ivory towers of pop release a track they've heard already, and Payola can't have that happen. Ke$ha solves that problem, giving the listener something to mindlessly not their head to until the adults come back in the room. Her title as lyrical mortar seems even more appropriate once you realize that she rode in piggyback on one of the blandest, most unimaginative hacks ever to claim hip hop:


Flo Rida: a second-rate Twista with a third-string beat sounding like something Timbaland and Major Lazer gang-banged and then killed (not to mention it samples Dead or Alive). Just like Ke$ha, Flo Rida provided filler to cushion our ears (because who really gives a hoot when you're drunk on the dance floor?) until Soulja Boy begat the Autumn of Young Money, which gave us some of the better pop-hop of the decade:


Loves it, and really, what is a Ke$ha to a Gaga, a Flo Rida to a Wale? Don't worry about it. We won't remember their names in a year anyway.



Further Listening:



This is a new weekly column where WHayes and your commander-in-chief smartblackboy go back and forth over the sweet meats of life.

SmartBlackBoy: I can't get Lady Gaga's Paparazzi song and performance out of my head. There is a moment where she is heartbreakingly vulnerable and vacant all at the same time that makes me want to cream my pants. Seriously has there been a better mainstream pop star divette who is so alluring weird?


WHayes: Well, since we're being blunt with our imagery, I didn't get quite the cream-worthy response, or the vulnerable moment: vulnerability isn't something I typically look for in stage performers. Their job is based around the logic of publicly appearing as a fusion of everything every fan wants them to be. Now, this does allow for Gaga to be vulnerable, since SBB can successfully project his wants onto her silver screen like everyone else. Ambiguous subjectivity. This is the same reason why, instead of focusing on Gaga, I took notice of her dancers clothing, specifically the black dude next to her who was wearing lace panties as a mask. This is where I say something about high art routinely emasculating black male performers, because -- if Gaga represents the intersection between high art and pop culture -- that's exactly what that was.

Here's the question: for all of her calculated allure and eccentricity, which was the more talked about subject 'Taylorgate,' or Gaga's outfits that night? Which one was more definitive of mainstream pop culture?

SBB: Fuck that. Go call your leading behavioral psychologist, take a snap shot of Lady Gaga's face right after she is done playing the piano, and right before the fake blood comes out - and ask them what emotion is on her face. Face sequencing is 98% accurate and my favorite PhD candidate said the emotion was vulnerability.

I hate how our modern world cowers behind the veil of "ambiguous subjectivity". Sure not everything is "black"and "white" but not everything is subjective either. There are rules, mores, decorum, and manners. The guy interrupting the Presidents speech was rude and should apologize for being rude. Hell Kanye West was rude and DID apologize for being rude. If a negro wants to prance around and wear white lace panties on his face - that is post-modern. Black men are allowed to be more than brute swinging dicks. They can be queer dancing dicks as well.

WHayes: Well I'm gonna go look for some screen caps. Also, agreed, yet as someone in the brute swinging dick category, the queer dancing dick seems (from my heteronormative perspective) puzzling. Black men used to get castrated back during civil rights as punishment for the ways they were sexualized by western culture (the brute swinging dick being a threat to the pink swinging dick), so for a black dude to willfully don (or be adorned with) the trappings of a vagina (because those threaten men too, you see) rubs me as counterproductive.

SBB: I think you just need to get in touch with your inner dancing queen. But if you want to talk black victimization - is Obama a victim? Is the image of Kanye West grabbing the mic from Taylor Swift the reason they hate us so much. Is the fear of being outed as a hermaphrodite the reason why Lady Gaga wore a red thong and lace onesie to the Marc Jacobs after party. (And P.S. her playing poker face was awesome....I'm youtubing it for this article). Oh and just for fun what happened to Joe Biden and Michelle Obama?




WHayes: The image is symptomatic of why they hate us: a renowned-for-being-cocky black dude traipsing all over the virginal beauty of America's blonde sweetheart just stirs up a lot of bad mojo. It's why women in Los Angeles suddenly stare at the ground when I pass them in the street. Granted, every woman has a right and reason to protect herself, but we'd be kidding ourselves to believe that (despite what S.E. Cupp says) part of that isn't racially motivated. Black dudes get it, asian dudes get it.

Nevertheless, motherfucker should have known better than to mess with her in that setting. Doing it to Fall Out Boy is fine, but cross the gender/race-boundary, and you instantly become a meme. A meme that draws the Bull Connor out of otherwise civil white folks. Gaga will (thankfully) never dissolve into a meme, not until she gloriously flames-out on stage within the next 10 years (she's 23, so she's got time). It'll be either 1) a reenactment of the VMA performance in which she actually does stab herself to death, or 2) something involving arsenic and Philip Glass' "The Grid" played on unaccompanied piano, the pace gradually slowing as her heart stops beating.

Also, aside from Michelle being in Copenhagen advocating that the 2016 Olympics be held in Chicago, and Joe nearly getting blown up, what happened?

SBB: I have it on good authority that WHayes regularly entertains the idea of xxxxxxxxx. And that is the real sweet meat.

WHayes: Loser.


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