Showing posts with label Street style. Show all posts
Showing posts with label Street style. Show all posts
[Philippe Bertho et Filthy.GRITS]
Proclaimed French Pop Illusionist, Philippe Bertho stopped in The D this past weekend.Whilst currently on his 3rd U.S. tour with The Martin Lawrence Galleries.Although he has a particular attachment to vibrantly saturated colors for his works [Fluorescent pink being ranked far beyond most in this series], the dark neutrality of rich browns and deeply dyed European denim where.
Somewhat of a welcome chance for the eye to rest,yet still conduct intrigue.
His mastery of the "trompe-l'oeil" painting style, may have been the sum, in terms of aesthetic deception.
[Philippe Bertho.La Madone. Lithograph]
[Philippe Bertho.Selfinopode.Serigraph on Canvas]
[Philippe Bertho.Je Vole.Serigraph]
[Jesse C.Local artist/muscian]
Jesse however.
Was definitely the ends.
[Completely buzzed undercut.Example"AYE"]
It's no surprise that this local Surreal Pop artist/musician was drawn to Bertho's work. Especially, since he's currently working with different painting mediums.
[Bertho's comment on Jesse's H&M tee.Caused a culture machine kind of reaction.]
["SWISS".Actually more French in this context.]
For more information on Philippe Bertho's current tour.
[Never.Blindlyingestinwhatyouthink.Youknow.]-Filthy.G
[The Prequel]
Upon meandering into Nuvo, a boutique located on Cedar Springs [that after 23 years, still seems to permeate my fondest memories of Dallas.Past and present apparently]
[Designer Ryan Roberts]We found their most current of imports,Ryan Roberts.
A Canadian bred, 12 year L.A. based designer of contemporary,yet timeless women and menswear. Decked in effortlessly understated flavor, not too far paralleled from his own line, we discussed inspirations, connotations, and translations of the concepts implemented into his featured trunk show collection.
The ideal mentality pushed behind Robert's designs is that of , "The simplistic Jet-Setter".
"Nothing's overstated", says Roberts.Which rings true.
Each piece is constructed with the utmost attention to appropriate detail. Using his background in mostly menswear to incorporate said structure and tailoring into a more comfortable, feminine perspective .
Adding key touches, such as Italian boiled wools and well established Swiss hardware, give a vibe of easy luxury.
Though his designs have crossed the international waters of Japan and London.
The key influences this season are the flavors and color palette of Morocco, a recent destination experienced by the designer.
[Ryan Roberts F/W 2010 Womens Wear]
[Second set of womens F/W 2010 collection]Further subtle "Puddy" shades and geometric patterns, inspired by the same country, will be incorporated in the upcoming S/S collection as well.
Functionality is another checkpoint in Ryan Roberts concept.With the social state of mind taking heed to a desire for more versatility and practicality when investing in key pieces, Roberts has incorporated aspects of reversible functions and an ease in transporting.
[Jessie coat.F/W 2010]
[Chris vest.F/W 2010]The Jessie coat and Chris vest are prime examples.
Another point of reference to the wearer of his designs would be,"Someone who is interested in fashion,[but] not overwhelmed by it", states Roberts.
Interested indeed.
The use of materials such as memory holding taffeta and sculptural wiring details give a nod to the innovative rapidness of technology and fashion becoming more than.
Just acquaintances.
Knowledge is power Ryan.
And with that state of mind?
You'll stay forever, as a resonating force to be reckoned with in the fashion world.
More information on pieces mentioned here and about the designer can be found at.
Ryan Roberts
-Filthy.GRITS
The Inspiration
Ryan Roberts fall 2010 collection is a direct reflection of the simplistic qualities of his spirit, perspective and antiquity. He asserts that he has a “story”, one of modesty and pleasure, a paradox he gracefully narrates through his works.
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| Ryan Roberts displaying a vest in his menswear collection |
While conversing with Ryan he recounted the time he spent in his first job serving tea to customers at an inn and that his family is a group of distinct entrepreneurs. “Providing” for others has always been a part of his mission, which is portrayed in the distinct and wearability of his classic pieces. He’s inspired by “family stories”; describing members of his collection as a “trusted friend” he considers himself a clothing designer not a fashion designer, always keeping the day to day reality of the wearer in mind. His work is not merely a reflection of his perspective as an individual.
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| Shira Dress - Fall 2010 |
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| Jaclene Shift - Fall 2010 |
Although born abroad Roberts most admires the work of Claire McCardell, an artist who emerged during the Second World War and created “Very American” designs. Because of fabric shortages during the war she was forced to keep things “simple” but it is these sorts of understatements that Roberts finds most charming and although having an abundance of fabric available to him he opts for timelessness over opulence as he weaves classic American culture into his work.
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| Wrap Cardigan - Fall 2010 |
Relating his design choices to tactile experiences, he notes that he wants the wearer to have some sort of cognitive response to his collections. He compares the pleasurable encounter you may have when being surrounded by his textiles to the comfort you may also possess when indulging in a warm and balanced culinary dish. Once introduced to his fall 2010 collection I was surrounded by a multitude sensory enjoyment. The rich scents of chocolate and caramel collaborating subtly with cinnamon and sandalwood accompanied by smooth and “easy” hints of calm were ultimately satisfying.
Lighter notes of this deep blend will be seen in his 2011 spring collection which focuses on the “graphicness of geometric shapes” and the boldness of neutrals while experimenting with the smooth and natural drape that conveys the ultimate romanticism of spring.
The honey in the flower never craves for bees...
8<3Track Honey
The honey in the flower never craves for bees...
8<3Track Honey
Never have I ever had.
The inkling that bringing various aspects of expression under the social umbrella that is "DADA",would allow me to experience so many equally intoxicating pleasures that all art forms have to offer.
But that's.
Probably because this is bigger than me.
The Dallas Art Dealers Association held their 25th Anniversary Event at The Dallas Contemporary last Saturday, in conjunction with the awarding of their 5th Annual Edith Baker Scholarship.
Needless to say, even though the theme of this celebration surrounded an ideal of, "THE ANTI-SCENE".Touche',is rightly called at this group's legit contemporary spin on the social "rendez-vous" of that time.
Disgustingly catchy 80's pop, immaculately befitting hors d' oeuvres,and equally captivating art pieces filled the space.As well as Dada art movement impersonators, paper collage making with local dallas artist,and Pop-up rants/dance performances.
[The open bars were also definitely not.A bad thing]
Models in the fashion installation featuring designs by Darian Thomas.
Extremely encompassing mixed media piece, by an artist I cannot name at this time.[If anyone knows the information on any of the unmentioned artists shown.You would be a true bad-ass to run that by me.]
Two artists In particular that stimulated some salivating glands were..
.
Jen Rose.[Mirror,Mirror Exhibition]
and Kit Reisch.[piece entitled,"Take Me With You"]
Needless to say they're was.Quite the style stalking to be done as well.
Michelle.[Local fine art advisor.]
Anna.[Representative for The Contemporary.Apparently this brocade blazer was Dior?Annnnnditwaslike$3.]
Justin.[One of the Make-up artist for the models in the instillation.]
[And this random dapper gentleman.He actually wasn't that random but.As I stated it was a really good night.]
Oh.I almost forgot Leo,the linguistic literary playwright of 2023.Not that I could really.
To find out more about this event.Don't ask me 'cause I obviously don't remember.
Ask DADA.
